COST: $16 drop-in, cash or cards
STUDIO: Loved this space—they curtained off the front 1/5 of the room for check-in and merch (which included boxes of free Toms Toothpaste, score!). Beyond the curtain was a narrow, long room with a bathroom, dressing room, water, and props at the back.
CLASS DESCRIPTION: Yoga Hour: This energetic one-hour class is the ideal way to sneak in some yoga
over your lunch break or between the day’s activities. Expect a good
flow addressing flexibility, strength, balance, connection to the breath
and mental focus. Recharge your spirit, reconnect with your body and
leave feeling great!
INSTRUCTOR: We were suppose to have Jody, but she had a sub this day... Shawn is a
certified yoga instructor who completed the 200-hour Yogaview Teacher
Training under the amazing guidance of Quinn Kearney, Geri Bleier,
Claire Mark, and Tom Quinn. She has also completed a 35-hour teacher
training with Seane Corn and participated in multiple workshops with
Sianna Sherman, Natasha Rizopolous, Ray Long and Maty Ezraty to continue
to deepen her practice and the teaching element of yoga. Her fun,
challenging and inspiring vinyasa flow classes, encourage students to
become in tune with their bodies through strength, alignment and breath.
Prior to becoming a yoga instructor, Shawn was in marketing and
communications and holds degrees from the University of
Massachusetts/Amherst and Northwestern University. She lives in Chicago
with her family and dog.
CONTACT: Namaskar Yoga
Girls day in Chicago! Girls day in Chicago! A couple months ago I asked two of my gal pals (and amazing yoga instructors) to join me for a day in Chicago. Since we all work for ourselves we could go during the week, which made the day all the better... like we were breaking the law or something :)
We started our morning off with a gorgeous day for a road trip north—blue skies, sunshine, music to sing along to at the top of our lungs, and enough conversation to fill up a 3-day drive if need be. First on our agenda was yoga at Namaskar—we chose it because of it's walking distance to all our plans, the timing so we didn't have to wake up at the buttcrack of dawn to drive, and because none of us have been here before.
When I go to new spaces for classes, it's funny how often I have Hayli + Jodi's voices in my brain reminding me how to adjust in a pose or help out a class I'm not getting into enough (knowing I can modify to take it to the next level or pull it back to suit my body). To actually go to a class I'm going to review with them was a bit of a game changer.
When we arrived, Rachel at the front desk checked us in. She was awesome—I actually tried to recruit her on girls day, because you could tell she was good people. The instructor from the class just getting out was surrounded by students asking her questions. I figured that's a good sign, because she perked the curiosity of her class. As Rachel set up her mat, the three of us followed suit when the instructor said, "Is this how you normally set up the room?" I didn't realize she was subbing someone's class when I responded with, "This is our first time here, we have no idea."
She started us instantly in Balasana (child's pose). I definitely was missing the centering time common in a lot of classes, but starting in child's pose interested me because it's my favorite pose to open up my body. Stretching out the back and knees, recognizing if my hips are shifting to the left or right (usually the left), I always stretch my arms out to open my shoulder (again, my left shoulder is insanely tight, and child's pose opens up both my shoulders nicely), and resting my forehead on the ground is—for a lot of people—immediately calming. I think I'll make this part of my practice before the instructor comes in the room, while everyone sets up their mats.
Then the music started... an odd mash-up of current, American music with a familiar, Indian song. I enjoyed it until the lyrics ended up being english—and from there the music was 100% American. I tried to approach it as a challenge to tune-out the distraction, but when I find myself tapping my toe or singing along... the challenge starts to irritate me. This is why I like instrumental or lyrics in a different language—it doesn't take me away from my practice, it adds to it and guides it.
Shawn then took us through a whirlwind of poses during our hour with her. I found her instruction lacking—almost empty. There was no sense of nurturing coming from her, just an urgency to get through the poses as quickly as possible and run out the door (which is exactly what she did after class). Half the poses seemed to be back bends (so many locusts) with out any counter poses to balance out the body. I found myself going into forward bends on my own to protect my back. She did a few adjustments—one to my friend I knew was unnecessary (which made me cringe because she was adjusting an instructor).
We did a series that had us go from Trikonasana (triangle) directly into Virabhadrasana III (warrior 3). My other friend put it best, "Straight leg pose to straight leg pose isn't natural" and I believe it can lead to injuries if you don't know how to protect yourself. At that point my back was already sensitive from locust and lots of single-leg poses (ever since I hurt my sacrum, I know I have to balance out my hips if the class spends a lot of time on one leg... normally I know to do that regardless of instruction, but we were moving so quickly there wasn't really time for it).
Our last pose was an inversion option—this made me happy since I've been craving inversions. I opted for a modified forearm stand using blocks. I love this because you don't actually have to use much arm strength (allowing you to build it without injuring yourself) + my tight shoulders do not enjoy this rotation (so I can open them up gently this way too). Meanwhile, my back enjoys a massage + reversed gravity (so-to-speak) and, of course, the numerous other benefits that come with an inversion. I'm hoping to work myself up to kicking up, like the third picture, eventually.
 |
| [via] |
Before I was done cleaning up my stuff the instructor apologized for rushing out the door. I like to think she had such a busy day she couldn't invest herself in any part of it—maybe it was a one-time thing? I don't know. I do know I'd like to try other instructors at Namaskar, because I feel our class was a reflection of the instructor's day and not the studio.
We chatted with Rachel after class again + then headed off to the rest of our day. The three of us all seem to be on the same page with our experience. And to be honest, I felt bad choosing this class since I had friends with me... You know, when you plan the day out you want everything to be perfect. At the same time, when you're with such amazing women, if something isn't perfect it just adds to the story of your adventure together and you wouldn't trade that for the world. I absolutely adore Hayli + Jodi and I'm SO grateful I spent a full day with them in Chicago. I'll share our day in pics/captions below.
Thank you Namaskar and Rachel for a lovely start to our adventure—namaste.
 |
| Yum Yum (Hayli) and Ja Ja (Jodi) — my nicknames for them after today! |
 |
| Props to the left // Water, bathroom + changing space on the right |
 |
| Asado Coffee — I drink decaf, and it was so good I had to make sure it was actually decaf. |
 |
| TATTOOS! |
 |
| My elephant logo (NEOI + Mowgli) + Ahimsa (sanskrit for nonviolence toward all living things Ⓥ) |
 |
| What an honor to design Hayli's tattoo— (based on The Harmonious Brothers » Bird = Jodi, Monkey = Hayli, Elephant = Anni) |
 |
| Our amazing tattoo artist (and Hayli's friend), Gentleman Joel |
 |
| Chicago Diner!!! |
 |
| THE best finale to our day—sharing this chocolate shake on our drive home >droooool< |
